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MEET THE MAKER: O-M CERAMIC by 91 Magazine


91 Magazine interview

O-M or Object-Matter Ceramic is the product of artist Carrie Lau, working from her studio in Los Angeles.With playful forms and striking surface pattern, Carrie’s designs have earned her cult status among fans of modern pottery, and, for Carrie, encourage mindful making.

Born and raised in Hong Kong, Carrie Lau first fell in love with Los Angeles, and making ceramics in 2014. Previously working for a Hong Kong-based fashion magazine, graphic products were clearly in Carrie’s creative blood, but her journey to ceramics was almost accidental. ‘I decided to come to LA for a graphic design program, since then I have been working in graphic design and art direction,’ explains Carrie. ‘but about four years ago my friend introduced me to ceramics and I fell in love with it as a hobby; I got tons of support from friends and family who encouraged me to join a craft market.’

O-M Ceramic’s range includes playful cups, contemporary planters, striking glaze-dipped vessels and colour-splattered mugs. ‘The journey has been great - fun and challenging,’ continues Carrie, and her genuine consideration for creative practice through mindfulness results in playful but considered design. ‘Objects {everything} around you are made up of matter, it has its own beauty,’ she muses.

 

‘I get inspiration from surroundings, experience, communication, interaction, travel, landscapes, other artists, and so on.’ This widely-drawn inspiration results in playful shapes with splashes of delightful and surprising colour. ‘I love studying colour and shape, they give me a lot of room to play around and see the possibilities,’ confirms Carrie. ‘I sketch and draw here and there, and when I come to make ceramics, it may or may not turn out as what I was planning - there is always a surprise which I love!’

This flexible ethos has led to O-M’s distinct aesthetic, with a contemporary vibe yet reverence to the nature of clay. ‘My work is playful, minimal and modern with a bunch of colours and graphics,’ she adds, but making the transition from two to three-dimensional design wasn’t simple. ‘It took some time for me to craft by hand, since I am so used to creating digitally,’ she describes. ‘There’s also a blockage of perfection - how to make [the pieces] look perfect,’ continues Carrie. ‘The more that I do, the more I realise the beauty of handmade work is the uniqueness of itself.’

Refreshingly, this doesn’t seem to impact Carrie’s making processes, nor does it pressure her to create something outside of her aesthetic or ethos. ‘I’m not led by seasons or trends, it’s more about realising my sketches,’ says Carrie, ‘but I also enjoy collaborating with different brands on exclusive collections.’

Carrie enjoys the flexibility of life as a freelance artist, valuing the unique balance of work and personal life. However, like many other makers, she finds it tricky to switch off her creativity. ‘I work pretty much every day, since I work from home,’ Carrie describes. ‘It’s easy to work here and there when you have a little bit of free time - it’s just so easy to keep working.’ And like other creatives, each working day is completely different to the next. ‘A typical day starts with morning coffee, then I walk my dog, Bowl, for a bit,’ begins Carrie. ‘Starting work depends on what projects I have on hand - sometimes I will be making ceramics or drawing, some days I will be taking pictures for my website and social media, or packing and shipping ceramics.’ This flexible approach is as unique as each of Carrie’s pieces, and easily as fabulously interesting.

Quick-Fire Questions:

Describe your work in three words?

Fun, minimal and colourful

What are your making rituals?

Meditation and drawing

Tea or coffee?

Coffee

Mountains or sea?

Both!

Night owl or early bird?

Night owl

I wish someone had told me...

The importance of presence.